Vanessa Maria Mirza
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SELECTED WORKS

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SOLILOQUY (2026)

Soliloquy is a solo dance performance reflecting upon personal choices. Steeped in the wilderness, the piece brings to the fore an unusual sense of vulnerability and fragility. The solo unravels a poetic soliloquy of bold dreams and desires embodied within the breathtaking landscape of the marshes. Nature in its vastness, listens, nurtures, holds and affirms the dancer in a way nothing else can, to release a dance of abandon and freedom.

Credits

Choreography: Vanessa Maria Mirza

Performance: Vanessa Maria Mirza

Performed as part of Like an Ecotone, a promenade concert in Walthamstow Marshes curated by Artur Vidal.

LA FEMME ET LA MER (2024)

A solo dance performance by artist Vanessa Maria Mirza originally created in “Perform in response” curated By KCC is inspired by K. C. Pyne’s painting from the ongoing exhibition ‘The (in) Visible and the (un) Revealed : Inside The Secret Worlds Of Kartick Chandra Pyne’. The performance is based on K. C. Pyne’s artwork “Wave” evoking powerful images of the sea, combined with the concepts of bold risk (seen in the piece Dare Journey) and the delicate nuances of the feminine body (depicted in his nude series). The choreography also reflects on the imagery used in Charles Baudelaire’s poem L’homme et la mer / Les Fleurs du mal describing the complexity and vastness of the sea and its relationship with human – existence. The piece was performed for Dance Bridges Festival 2024 showcases at The Creative Arts Academy in Kolkata and for the Open Day at Centre 151.

Credits

Choreography: Vanessa Maria Mirza

Performance: Vanessa Maria Mirza

Commissioned by Emami Art in 2021 to create ‘La Femme et la Mer’ in response to the paintings of K.C. Pyne’s curated by the Kolkata Centre for Creativity. Further support by Centre 151 and The Creative Arts Academy.

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D.O.B. (2024)

D.O.B. is a solo performance  based on the artist’s lived experience of visa negotiations. It is based on the night she left India for the UK after finally getting a student visa which had been in jeopardy because she didn’t have a birth certificate. The sagas, traumas and repercussions of visa applications continued for long after and continue till this day, for both her and others who are artists on visas. In this piece she unfolds  some of this struggle  as a critical reflection of the current system of immigration and the difficulties faced by migrants in the UK.
Performed at Ugly Duck Gallery as part of the ‘Welcome to the UK’ exhibition in March 2024.

Credits

Concept & Choreography: Vanessa Maria Mirza 

Music: Artur Vidal & Sebastien Branche

Artistic support : Dam Van Huynh, Pierre Palluet, Artur Vidal

Research support: Neelanjasa Mukherjee & Monika Dorniak

Text design: Vanessa Mirza

 

Supported by Centre 151,  commissioned by Welcome to the UK/Ugly Duck Gallery

Additional sound courtesy channel 4 news, field recordings and found sound.

LET GO (2024)

Performed at Kolkata Streetscape Carnival 2024, the piece is a short solo where the dancer explores what it is to find a sense of calm in the midst of the “noise” of life.

Credits

Voice & Text design: Artur Vidal
Music: Zachary Ray
Performance and Choreography: Vanessa Maria Mirza
Video/ Stills: Sayan Debnath
Text: Jean-Marie Londeix
Supported by : Chaitown Community
Organised by Kalakaar Project

HER SONG (2023)

Her Song’ is proposed as a dance work created as a physical document of a female dance artist’s life struggles in bodily dialogues with self and the audience. This research started as a solo performative presentation for the Connecting Arts project organized in Kolkata by Sparsh Studio for Performing Arts and Buoyant Performing Arts in September 2015. A 4-week personal reflective movement research resulted in a short 7’30’’ minute solo. It involved exploring motifs and using imagery drawing from life incidents that provoked a continuing journey in dance in India and beyond in spite of many obstacles.

Commissioned by Manifold Space for a site-specific performance as part of the ‘Home Away from Home’ exhibition at House of Annetta, the solo has been developed into a 20 -minute piece accompanied by live music. In this second phase of research the piece is revisited from the themes of migration and displacement and re-imagined in the context of the House of Annetta, it’s history and the stories embodied by it. The choreography uses autobiographical references and experiences described using a stream of consciousness style of text. The movement drawing from Vanessa’s varied contemporary dance training in Asia and Europe, highlights both the connection and dissonance of living in different cultures particularly between Calcutta and London and the confusing, exhilarating and yet sometimes disturbing sensibilities in defining and finding home.

The music score developed by Stephan Barret incorporates live music of the clarinet and objects layered with field recordings and voice. Stephan’s musical approach to this performance will involve tuning in and sounding out in relation to Vanessa’s choreography, ‘her song’, as well as the physical space of House of Annetta and the systems and processes affecting and affected by it, drawing additional inspiration from its recent history, and the energies, potential and possibilities emanating from the myriad activity taking place as part of its summer season.

The work reflects a personal story but echoes themes of a broader social context and relevance relating to identity, cultural inequalities, racial stereotypes and the politics of immigration.

Credits

Concept & choreography: Vanessa Maria Mirza

Sound design & editing: Stephan Barett

Performance: Vanessa Maria Mirza

Field recordings: Asish Singha

Text & Voice: Vanessa Maria Mirza

Costume design: Vanessa Mirza Creations

Supported by: Centre 151 & Vanessa Mirza Creations

Many thanks to Artur Vidal for supporting artistic collaborations, House of Annetta for rehearsal space and the creative inspiration it carries, and the Manifold Space team for commissioning this site-specific performance.

FEATURED PREVIOUS WORKS

STRONGER (2019)

‘Stronger’ is a male duo that portrays the inner voices of a person in moments of strength and weakness. It was created for and first performed at the Unicorn Street Arts Festival 2018, Kolkata, India. The symbolism and meaning of a unicorn to people across cultures is diverse but it is usually seen as a sign of hope and purity. Stronger embodies the resilience and power of the human spirit. Choosing to dream again, amidst dark shadows of past disappointment and recurring setbacks, one is emboldened and made stronger by experience. The movement vocabulary draws upon hip-hop and contemporary dance language.

Credits

Choreography: Vanessa Maria Mirza

Dancers: Sayan Debnath, Asish Singha

Music: Original composition ‘Dhokol’

This project was supported by The Doodle Room, Buoyant Performing Arts & Sparsh Studio for Performing Arts.

SOMEBODY (2018)

‘Somebody’ is a solo piece about finding oneself, going through moments of personal loss, love, struggle, freedom and dreaming.

Inspired by multiple memories, the music reconciles past, present and future. The work depicts intimate
snippets of life, the wish to achieve one’s goals and the aspiration to encounter somebody to share this journey with.

Credits

Choreography: Vanessa Maria Mirza

Performance: Vihanga Rukshan

Music: J. S. Bach

This work has been created with studio support from Rhythmosaic Dance Institute, Sparsh Studio for Performing Arts and The Doodle Room.

COLLABORATIONS

HOME IS A CLOUD(2024)

A Home Is A Cloud is a large-scale movement and sound piece conceived by Amanda Camenisch and Therese Westin.
Over a period of 3 months, the group has met weekly and explored notions of home, faith and belonging through the lens of music and movement as a form of worship. The result is a 45 minute long, part scripted part, improvised score, consisting of collective movement and song, interspersed with individual solo pieces. There will also be a separate performance of only music after.
Some of the stories, poems voices and songs will feature in a 4 part radio program on Montez Press Radio. The collectively created sound scores and individual solos will be pressed onto a vinyl record that can be purchased later on in the year.

Credits

Conceived  and facilitated by: Amanda Camenisch and Therese Westin
Directed and performed by: Abimbola, Clara Soyinka, Dotty, Elizabeth Addoi, Florence Musa, Freida C. McNeil, Funmilda Olojo, Grace Ade, Grace Owolabi, Jani, Ladun Mary Oguntoyinbo, Leo, Ms Jumoke, Margaret, Pham B Long, Priyanka G Geriya, Sharon, Sungyeon Kim, Vanessa Mirza, Zara.
Supported by Space Studios Ilford, Metroland Cultures, Swiss Church and Arts Council England.
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